Mesmerizing images […] Magnificent work
The End of Time
The End of Time is about that one hypnotic moment on a regular, unassuming Tuesday when you realize that time has stopped and the universe has been sucked into a single smile.
Synopsis
The End of Time is about that one hypnotic moment on a regular, unassuming Tuesday when you realize that time has stopped and the universe has been sucked into a single smile.
A moment in time on a block in San Antonio de los Baños, Cuba. The regulars are playing domino, Pablo hits a homerun, the girls are giggling on their way home from school, tío Julio with his cigarro is tipsy
gain, Armando has finally convinced his brother to let him drive his red cab, mom and tía Sofia are whispering while I am listening to my little brother in her belly.
Information
Maidolis Herrera Capote
Jairol Calderon
Dixan Vazquez
Maribel Capote
Homero Perez
Full Credits
Produced by: Monica Alejandra Pila, Dany Celeiro Rodriguez, Yenisleidis Vazquez Capote, Milcho Manchevski
Cinematographer: Alain López Martinez
Edited by: Kristina Pozenel
Music and Sound Design by: Igor Vasilev Novogradska
Color Grading by: Michael Dwass
First A.D.: Armando Capo Ramos
Cast: Maidolis Herrera Capote, Jairol Calderon, Dixan Vazquez, Maribel Capote, Homero Perez
Special thanks to the people of 64th Street, between 25th and 29th, San Antonio de los
Length: 5:24
Aspect ratio: 1.78:1
Year of Production: 2017
Press Quotes
A study of the everyday and the secret deliverance that lies waiting, while no one is looking. A celebration of interbeing and the flux of the same afternoon coursing through each of our bodies.
For the idea, the inexorable elegance and mathematical beauty with which the film constructs a lyrical study of the optical unconscious.
I love this film very, very much! […] Great genius in capturing the truth of the world in only two shots. […] Masterpiece.
End of Time takes a single, insignificant situation out of everyday life and shows it as a sacred moment by slowing down the rhythm for sharper vision. The film’s crisp minimalism and commanding simplicity is truly moving.
An impressive minimalist phenomenology of time, consciousness and selfhood.



